quinta-feira, 3 de julho de 2008
Jacaszek has managed with "Treny" to assemble an album so heart-stoppingly beautiful and personal that we’ve been stunned into silence for its entire 55 minute duration. With string arrangements provided courtesy of Stefan Wesolowski, the foundations of the album are set with Cello and Violin painting fragile outlines coloured by subtle electronic manipulations, harp, piano and reduced, haunting operatic voices. Unlike so many of his contemporaries, Michael Jacaszek doesn’t make use of any samples, with everything on the album assembled by the musicians on hand (notably Maja Sieminska, Anja Smiszek-Wesolowska and Wesolowski and Jcaszek themselves) - and the subtle grandeur of the album is almost impossible to take in over one sitting, even if the impact is absolutely immediate. This is the kind of album that you just cannot believe a bijou imprint like Miasmah is able to lay its hands on - such is the scale of its success that it feels like a hugely important piece of work, far outweighing almost anything else we’ve heard in the modern classical field these last eighteen months. Cinematic without ever feeling contrived, "Treny" is surely one of the most impressive, mystical and astonishing albums of the year.
Publicada por S à(s) 22:33